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Kaitlin Wong

Kaitlin Wong, Lead A&E Editor

Kaitlin is currently a sophomore and the arts and entertainment editor. She began writing for the Logue in her freshman year. Outside of Logue, Kaitlin enjoys playing piano, watching movies and attempting to cook.

All content by Kaitlin Wong
Photo courtesy of Beach Bunny

Beach Bunny define themselves in ‘Honeymoon’

Kaitlin Wong, A&E Editor
February 24, 2020

Halsey showscases her vunerable side in ‘Manic’

Kaitlin Wong, A&E Editor
January 29, 2020
Photo courtesy of Flickr/Julio Enriquez

The Chainsmokers fail to evolve in ‘World War Joy’

Kaitlin Wong, A&E Editor
December 13, 2019

‘Motherless Brooklyn’ takes a thoughtful approach to the mystery genre

Kaitlin Wong, A&E Editor
November 20, 2019
Photo courtesy of Mauritshuis

‘The Goldfinch’ flops rather than flies

Kaitlin Wong, A&E Editor
September 25, 2019
Photo courtesy of Wikimedia Commons

Avril Lavigne unsuccessfully tries to keep up with ‘Head Above Water’

Kaitlin Wong, A&E Editor
February 27, 2019

The 1975’s ambition leads to a disconnect in ‘A Brief Inquiry into Online Relationships’

Kaitlin Wong, A&E Editor
December 12, 2018
Joyce Manor matures and mellows out in Million Dollars to Kill Me

Joyce Manor matures and mellows out in ‘Million Dollars to Kill Me’

Kaitlin Wong, A&E Editor
October 17, 2018

‘Crazy Rich Asians’ charms audiences with humor and warmth

Kaitlin Wong, A&E Editor
October 3, 2018
Photo Courtesy of Emmanuel Sinamban

Variety Show entertains with lively acts

Kaitlin Wong, A&E Editor
February 14, 2018
Doctor Strange mystifies and entertains, but falls victim to superhero clichés

“Doctor Strange” mystifies and entertains, but falls victim to superhero clichés

Kaitlin Wong, Staff Writer
November 9, 2016
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Kaitlin Wong